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No Pictures: notes from the studio
  Tag Archives for 1951-52

A teaching from the work of Clyfford Still

It is 1977, summer, we are all standing in front of Clyfford Still’s, 1951-52, (sometimes referred to as “his black painting”) at the Art Institute of Chicago. One of the students in the group, looking at this magnificent work says in response to it “I think the artist was saying that even in darkness there is light”. […]

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