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No Pictures: writings on studio practice

Duchamp, New York, The 21st Century and Chelsea

Duchamp, without a doubt, gave us our most brilliant theories on art and context.  What is of the utmost importance to remember is that these ideas include the maturity and quality of the work as well as the actual object itself. “Bad” work in the context of a “good” gallery can be pure unadulterated crap. […]

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Container

I am often asked about my process by those who view my work. One of the challenges the viewer perceives when they look at the work is that it is freehand. The work is a discipline and it is a metaphor as well. It is specific. It is honoring the container – a sacred space. It […]

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Ultimately

Ultimately is it all about our mind and our body. Everything comes from that – how we conduct ourselves, who we become, what we do, what we don’t do. How we treat ourselves. How we treat others – how we inhabit our bodies. Beyond that there is nothing. It is all nothing – which is […]

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An unconditional acceptance of life

This time of year my mind turns, intensely, to my students. They are on my mind the entire semester. However, at this time their fruition is immense. Though they do not necessarily feel it – it is very powerful to witness.  These are the moments that make every minute of teaching the greatest joy. Some […]

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A particular type of rest

A particular type of rest -a rhythm is setting in. I am going back to the studio to make work after being a slave to shows since December.  It is interesting how disruptive showing is. It is about the work; but you start making work that is not as much about the work as it […]

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A Contemplative Act in February 2016

From April to August 2014, I wrote a series of posts (notes) on the topic of Contemplative Studio Practice. They can be found on this website under No Pictures. The notes were the beginning of thinking, discussing and looking at artists work that I felt was part of a category and form that has a rich […]

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January 2016 Interview: Mark Making – Fire House Art Center

In January 2016 I had the opportunity to share space in an exhibition titled Mark Making, at the Firehouse Art Center in Longmont, CO.  As part of the exhibition, participants in the show were interviewed for the Firehouse Gallery Guide. Below is the interview that gives some insight into my work.   1.     Why do you […]

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the experiment

The drawing is beautiful – as I pictured it in my mind. But one never knows completely or does one? Is that too humble of an approach? Two points. 1. The work does look as I pictured it. 2. If I am interrupted when in thought about a work, I can and do reconstruct it […]

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a practice of being human

As I walk into the studio, bend down to take off my winter boots, place them specifically at the entrance – as if walking into sacred space; I sense the phrase practice of being human. This work, my work, is a contemplative studio practice that is about the meta cognitive aspects of being human; an investigation […]

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the view from there: thoughts on landscape from 2012-2014

In December I will be showing a small group of works at Artworks Loveland in a show titled The View from There. In October 2000 I made a long awaited move to the West. There were two major influences in my work; minimalism and land – earth – the soil, tierra, ground – whatever word one wants to use […]

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